This dissertation analyzes the theory and practice of the Cuban postmodern writer Severo Sarduy () from his early adult years in. Barroco y el neobarroco, el has 3 ratings and 0 reviews: Published by El Cuenco de Plata, Paperback. Valentín Díaz UNIVERSIDAD DE BUENOS AIRES/CONICET Argentina. Valentín Díaz Licenciado en Letras, docente de la Facultad de Filosofía y Letras.

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That is the reason why Sarduy not only poses an aesthetic question but also an ontological one. Goodreads barrkco you keep track of books you want to read. His literary work is influenced by three major elements: You are free to use this Item in any way that is permitted by the copyright and related rights legislation neobarrico applies to your use. By studying his narrative through the light of his theoretical essays, this paper demonstrates that the author created his own type sadduy reading model —from and for Sarduy.

Skip to main content. Severo Sarduy was a Cuban poet, author, playwright, and critic of Cuban literature and art.

His language does not transmit a message but it signifies itself, that is, a means without an end.

To see what your friends thought of this book, please sign up. Abstract This dissertation analyzes the theory and practice of the Cuban postmodern writer Severo Sarduy from his early adult years in Cuba neobadroco his exile period in Paris, France, where he lived until his death.


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He encompassed the sublime and the ridiculous, mingling oral traditions with literary mannerisms adopted from his baroque masters. This is also the empty space of no signification or nonsense in which occurs the depersonalization of the speaking subject; in Buddhist terminology this becomes the dissolution of the ego.

Barroco y el neobarroco, el

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The empty space created in the text provides the subject with the possibility of fusion with the all. Keywords theory, practice, neobarroque, severo sarduy, psychoanalysis, buddhism, mysticism, poststructuralism.

Barroco y el neobarroco, el by Severo Sarduy

This style breaks with the traditional art concept of mimesis the representation of reality in the western worldand therefore with the correspondence between the signifier and the signified. The Sarduyan language is determined by a Lacanian psychoanalytic erotic drive pulsion known as the Barroquean desire, a death drive which directly relates to the exile condition of the author. Preview — Barroco y el neobarroco, el by Severo Sarduy. In addition to his own writing, Sarduy edited, published and promoted the work of many other Spanish and Latin American authors first at Editions Seuil and then Editions Gallimard.

This book is not yet featured on Listopia. Sarduy does not intend to represent reality but to go beyond it, achieving, by his technique of signifying exhaustion, to represent absence itself. Just a moment while we sign you in to your Goodreads account.

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Thanks for telling us about the problem. But the genesis of this desire lies in a primordial desire of encounter with his origin: The Neobarroque of Severo Sarduy is an aesthetic of the empty signifier based on the reckless expenditure, and ultimately exhaustion, of the artifices dl language that precipitates in a signifier chain towards the infinite.

“Teoria y Practica del Neobarroco en Severo Sarduy” by Maribel San Juan

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Ultimately, Sarduy strives for a language that goes beyond the symbolic limits towards a place of constant dissolution, evanesce, and death —horror vacui. Trivia About Barroco y el neob This dissertation analyzes yy theory and practice of the Cuban postmodern writer Severo Sarduy from his early adult years in Cuba to his exile period in Paris, France, where he lived until his death. Books by Severo Sarduy.

His third novel, Cobratranslated by Sollers won the Prix Medicis for a work of foreign literature in translation. This other dimension of the Sarduyan writing is based on a liberating drive that permeates all his work —an ontological liberation expressed through language. Paradoxically, bafroco signifier chain produces an excess of metaphors beyond the material limits of language and its support, the page. Ana Builes rated it really liked it Aug 31,